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Saturday, December 27, 2008

JOE BECK : Red Eye (1975)

R.I.P. Joe Beck (Jul. 29, 1945 - Jul. 22, 2008)
From the NY Times:
Joe Beck, a jazz guitarist who collaborated with artists like Frank Sinatra, Miles Davis and James Brown, died on July 22. He was 62. His death was confirmed by the Munson-Lovetere funeral home. He died at a hospice after battling lung cancer.
Mr. Beck was a prolific studio and session performer, arranger and producer, with an identifiable harmonic and rhythmic sound.
Mr. Beck was born in Philadelphia and grew up in New Jersey and the San Francisco area. He got his start as a musician as a teenager in the 1960s, playing in a jazz trio in New York. By 1968, he was recording with Davis and other top jazz stars.
After taking a three-year break from music to run a dairy farm, Mr. Beck returned to music in the 1970s. He worked with artists like Gloria Gaynor and Esther Phillips, including playing on Ms. Phillips’s hit single “What a Diff’rence a Day Makes.”
In 1975, his collaboration with the saxophonist David Sanborn, “Beck & Sanborn,” became a popular fusion hit.
He also composed and arranged for film and television, and played with the Royal Philharmonic Orchestra in London.

This is a track off his collaboration album with sax player David Sanborn. It's a groovy little number, with alternating guitar and sax solos. You can hear how the sound of fusion was changing at this point in the 70s; from the grittier, groovier early '70s, to the more slick NY sound of the late '70s. The majority of this group became The Brecker Brothers backing band.

Song : "Red Eye" by Joe Beck
From the LP "BECK" (Kudu) 1975; also released as "BECK & SANBORN" (CTI)

LINEUP:
Joe Beck : guitar
Dave Sanborn : alto saxophone
Steve Khan : guitar
Don Grolnick : keys
Will Lee : bass
Chris Parker : drums
Ray Mantilla : percussion

Get it here : Red Eye

2 comments:

Unknown said...

Sexy album covers!

I love the guitar in this... I could picture you playing this song! hehe

Unknown said...

Oh man, it's still going. Good song, but a bit too long.